FREE TO MOVE AND ARRIVE NOWHERE<\/p>\n
Theater- and solo-performance, plus video-interventions, in Transit<\/em> -intercultural theater performance<\/p>\n (Shows: 07.2014 in Tuebingen, 02.2015 in Tuebingen and Balingen and 12.2015 Tuebingen)<\/p>\n The project Transit<\/span> was<\/span> an initiative of ‘Masckaratheater<\/em>‘ based in Tuebingen and it brought together people that found themselves in shifting situations, like migration, end of a carrier, unemployment. In search of new perspectives. Around 20 actors and musicians from different countries worked together in this intercultural performance on the ‘freedom’ of movement in Europe.<\/p>\n viki semou’s contribution<\/span><\/span> focused on those people to whom any place in ‘the system’ is denied, one way or another. In other words, those marginalized even among marginalized.<\/p>\n \/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/<\/p>\n “TECHNICAL”\u00a0 DETAILS (of the intervention in Stadtmuseum)<\/p>\n Viki Semou participated in the event with a solo performance and a series of interventions in the space with the work of Lotte Reiniger, an artist of shadow-theater plays and stop-motion films with 2d-figures mostly in black. These interventions consisted of 1. a video in loop in combination of a Reiniger’s video, 2. the video of that day’s theater play which was recorded while v.semou was participating in it, and 3. a live stream of what she was seeing during her solo. This last screening featured successively the image of drawers\/boxes and then the image of people -the audience.<\/p>\n ————————————————–<\/p>\n Solo performance<\/p>\n Concept-Execution:<\/strong> Viki Semou<\/p>\n Technical assistance:<\/strong> Luigi Piotti, Tasos Akridas, Vangelis Tourloukis and Sara Bangert<\/p>\n Technical<\/strong> Support:<\/strong> Kreismedienzentrum-T\u00fcbingen and Ralf Martenstein<\/p>\n Technical Advice:<\/strong> Timo Dufner<\/p>\n Theater performance<\/p>\n Art-direction:<\/strong> L.Conte, J. Knab<\/p>\n Actors:<\/strong> L. Baranowski, A. Bosch, A. Fodor, D. Gau\u00df, Q. Hu, S. Kubin, F. Lokaj, S. Mahler, N. Roos, V. Semou, L. Till<\/p>\n Musicians:<\/strong> J. F. Olivos Blomberg + T\u00fcbinger Baglama-Schule: A. G\u00fcler, H. Bastas, S. Braun, C. Celik, O. C. Iygi, G. Tercan,<\/p>\n \/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/<\/p>\n 1.<\/p>\n Art has often been a place where \u2018abnormals\u2019, \u2018monsters\u2019 and other \u2018curiosities\u2019 can be fearlessly and harmlessly presented. Even accepted. As long as they stay there. When it ‘s only a show. In the realm of art and the non-real, of fantasy and dream.<\/p>\n Yet, the \u2018abnormals\u2019 and the \u2018monsters\u2019 exist and are claiming\u00a0 their place among \u2018us\u2019.<\/p>\n 2.<\/p>\n “Discrimination and prejudice are often condemned as markers of cruelty or insensitivity and not as markers of structural inequality. This reduces the reality of social injustice to a question of compassion and charitable feelings.<\/em>.”<\/p>\n (paraphrasing Alison Kafer in \u2018Feminism, Queer, Crip\u2019)<\/em><\/p>\n \/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/<\/p>\n","protected":false},"excerpt":{"rendered":" FREE TO MOVE AND ARRIVE NOWHERE Theater- and solo-performance, plus video-interventions, in Transit -intercultural theater performance (Shows: 07.2014 in Tuebingen, 02.2015 in Tuebingen and Balingen and 12.2015 Tuebingen) The project Transit was an initiative of ‘Masckaratheater‘ based in Tuebingen and it brought together people that found themselves in shifting situations, like migration, end of a …<\/p>\n","protected":false},"author":1,"featured_media":849,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/vikisemou.net\/wp-json\/wp\/v2\/posts\/681"}],"collection":[{"href":"https:\/\/vikisemou.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vikisemou.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vikisemou.net\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vikisemou.net\/wp-json\/wp\/v2\/comments?post=681"}],"version-history":[{"count":20,"href":"https:\/\/vikisemou.net\/wp-json\/wp\/v2\/posts\/681\/revisions"}],"predecessor-version":[{"id":871,"href":"https:\/\/vikisemou.net\/wp-json\/wp\/v2\/posts\/681\/revisions\/871"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vikisemou.net\/wp-json\/wp\/v2\/media\/849"}],"wp:attachment":[{"href":"https:\/\/vikisemou.net\/wp-json\/wp\/v2\/media?parent=681"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vikisemou.net\/wp-json\/wp\/v2\/categories?post=681"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vikisemou.net\/wp-json\/wp\/v2\/tags?post=681"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}